![]() I invested six months – parallel to my other work – in creating three prototypes. So when a close friend, who had long known of my watchmaking dream, called me three years ago and told me he wanted me to present my still nonexistent watch in a bazaar-like exhibition of local craftsmen, I saw my chance to test the waters. Over the years, it became something of an ongoing joke: “Hey Thomas, how’s your watch coming along?” Although the expectations grew to be a burden, it was still easier for me to do design renderings and prototypes for paying customers instead of taking a huge risk on my own.Īnd yet, all the while, I was collecting knowledge, machines, and ideas. It never seemed like the right time to start. And then big city life, family, and employment got in the way. But I realised I lacked knowledge, so I decided to do my watchmaking apprenticeship first. What pushed you into establishing your own watchmaking business? Can you tell us more about that?Īlready as a young freelancer for Chronoswiss, I was full of ideas and wanted to start building my own watch brand. It was a shot in the dark, but in 1991 I started as a supplier for them with a series of 99 escapement models, all thanks to Mr Gerd-Rüdiger Lang’s faith and trust in a 21-year-old newcomer. So I introduced myself to the people at a Munich watch company named Chronoswiss. After finishing technical college, I thought about studying design but lacked confidence. I studied toolmaking after secondary school in my native city in the north of Germany, and I quickly realised that this would not fulfil me. ![]()
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